Hilma af Klint: Paintings for the Future

Product Information

Hilma af Klint (1862–1944) began painting her abstract and highly symbolic images as early as 1906, long before Kandinsky and Malevich arrived at what has generally been regarded as the birth of modern abstract art. It is accepted by you that Daunt Books has no control over additional charges in relation to customs clearance. Celebrated Swedish Artist Hilma af Klint's hardback book of paintings is a riot of colour and expression.

Bashkoff joined the Guggenheim in 1993 and has contributed to over 15 special exhibitions covering a range of 20th-century subjects.Af Klint’s paintings will be exhibited at Tate Modern next April, but it’s taken a long time for the art world to catch up with the visionary Swede. In recent years, her colorful, spiritually-minded body of work has reshaped art historical timelines, supplanting male artists like Vasily Kandinsky, Piet Mondrian, Paul Klee, and Josef Albers, who have long been regarded as the pioneers of the 20th-century movement.

The Swedish painter Hilma af Klint (1862-1944) was 44 years old when she broke with the academic tradition in which she had been trained. Af Klint was not part of the larger abstract art movement so populated by men, but many of her paintings―vibrant, strange paintings inspired by her deep interest in Spiritism and Theosophy―predate those famous as pioneers of the style. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art – a wish that finds a fortuitous answer in the Guggenheim Museum’s rotunda, the site of the forthcoming exhibition. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art―a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the exhibition.A roundtable discussion among contemporary artists, scholars and curators considers af Klint's sources and relevance to art in the 21st century. Specific themes, such as evolution and duality, are conveyed through vivid pastel colour schemes and intricate geometric patterns arranged carefully on canvases that reach over ten feet in height. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the museum/institution. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Müller-Westermann. One of the many praiseworthy things about Julia Voss’s excellent new biography of her is that it does not even entertain the thought.